What are you looking for? Let’s review and compare the top best best micro 4/3 lenses for video 2025 to find what will work well with your needs.
We all want the best for our money, but how do you know what a good fit is without research? When looking into buying something that will likely be an investment and part of your everyday life – like best micro 4/3 lenses for video, it makes sense to spend some time getting educated on where exactly this product falls within its market space.
We have compiled 40213 reviews from top experts that led us to these 20 devices on the list.
The Best Best Micro 4/3 Lenses For Video Deals This Week:
- Featuring compact design, light weight and outstanding image quality offered in Sigma’s Contemporary line
- n addition, this lens is characterized by smooth and quiet autofocus ideal for video shooting.
- By using the face recognition or eye AF functions of the camera, focus will continuously be on the face or the eye even if the subject moves during the shoot.
- Fast portrait lens
- Maximum f1.8 aperture, great for low light
- f/1.8 maximum aperture delivers beautiful defocused backgrounds
- Quiet Movie-Still-Compatible lens drive for video shooting
- Optional LH-40B lens hood for shooting in bright conditions
- Ideally suited for: Landscape, travel, architecture and portrait - equivalent to a 28-84 mm 35 mm lens
- The 3x zoom with outstanding image quality confidently presents itself for landscape, street and portrait photography and is therefore the ideal companion in every photographic situation
- When using OI.Share App, you can even zoom in from a distance using the electronic zoom and the unusually fast and quiet autofocus is also ideal for subtle photo and video recordings
- Outstanding image quality, despite very compact design with pin-sharp images right up to the edges of the image
- Ideal processing and high quality metal bayonet.Scope of delivery: Lens, LC-37B lens cap, rear lens cap for Micro Four Thirds lenses (LR-2), operating instructions
- A wide-angle prime, this 16mm f/1. 4 is designed for micro Four Thirds mount Mirrorless cameras and provides a 24mm equivalent focal length.
- Fast f/1. 4 maximum aperture excels in low-light conditions and also affords greater focus control for producing shallow Depth of field effects.
- Three FLD elements, two Sled elements, and two molded aspherical elements to help reduce color fringing, chromatic aberrations, and spherical aberrations for notable sharpness, clarity, and color accuracy from Edge to edge.
- A super multi-layer coating has been applied to lens elements in order to minimize lens flare and ghosting and contribute to producing contrast-rich and color-neutral imagery, even in backlight conditions.
- Nano Crystal Coating System (NCS) for increased light transmission and reduced internal reflections
- Optical construction: 14 Glass.Fast F2.8 maximum aperture + close-focusing to 9.5 inches = maximum versatility in all shooting conditions
- Optimized for excellent optical quality and true ultra-wide 110 degree edge to edge coverage with APS-C sensor digital cameras
- Utilizes 3 high precision (2 Aspherical + 1 ED) lens elements for superior image quality
- Inner focusing system (IF) - length doesn't change and front element does not rotate - keeps integrated petal-type lens hood properly oriented
- Ultra-wide angle fast aperture lens,Focal Length : 12 mm
- Maximum f/2.0 aperture, great for low-light shooting, Minimum focusing distance : 7.9 inches
- 24mm equivalent field of view great for street shots or landscapes
- Premium metallic construction throughout, Snap focus ring with distance scale for manual focusing
- Special all metal lens hood and cap optionally available
- Rokinon 12mm T2.2 Cine Lens - Front Lens Cap - Rear Lens Cap - Bayonet Mount Lens Hood
- 12mm lens with 83.0deg. angle-of-view
- Industry Standard 0.8 pitch gearing on focus and aperture rings
- 12 elements in 10 groups, including two aspherical and a three ED elements
- Nano Coating System improves light transmission, minimizes flares and ghosting for higher contrast images
- Body cap with built-in fisheye lens
- Ultra-wide 18mm equivalent field of view
- Great discreet street shooting lens
- All-glass lens elements
- Manual focus only with close-up and infinity focus settings
- Ideally suited for: Landscape, travel, nature, low-light and architecture, portrait - equivalent to a 34 mm 35 mm lens
- The 17 mm wide angle with a large F1.8 f-stop is ideal for shooting in low light
- Sliding focus ring allows quick change between autofocus and manual focus
- The slim design and robust metal housing of the lens impresses with its compact lightness
- Outstanding image quality, despite very compact design with pin-sharp images right up to the edges of the image.Ideal finish, high quality metal bayonet and ideal close-up limit for macro photography
- Multi coated lens: A multi coated lens element reduces ghost and flare to deliver high optical performance (12 elements in 9 groups, [1 UHR lens and 2 aspherical lenses])
- Near silent focusing for video and still: inner focus system enables excellent resolution and contrast from full life size magnification to infinity; stepping motor makes focusing action smooth and near silent for use in video and photo recording
- Lumia optical image stabilization: Panasonic Mega O. I. S. Makes it easy to shoot super clear shots even in low lit situations by suppressing the blur caused by a hand movement
- Medium zoom lens: A 45 150mm (35mm camera equivalent: 90 300mm) focal length with F4. 0 5. 6 ASPH provides a versatile medium zoom range of daily situations
- Seven aperture blade construction: The lens’ seven aperture blades produce an attractive smoothness in out of focus areas, even when shooting at large aperture
- Meike Fisheye lens for mirrorless M4/3 mount cameras.Such as:Olympus EM1 M5 M10 EP5 EPL3 PL5 PL6 PL7 Pen-F etc,Panasonic Lumix GM1 GM2 GX1 GX2 GX7 GX8 GF5 GF6 GF7 GH3 GH4 GH5 etc
- Ultra 220 degree diagonal field of view for APS-C size image formats.
- Wide-angle and large aperture: Full-frame Visual angle: diagonal 220° horizontal 220° vertical 220°; Aperture F/2.8~16
- With superior multi-layer nano-coating to reduce flare,the compact size lens body makes it easier to carry and use.
- Sharp images and color contrast : Give you a special experience on astrophotography and Street Photography Meike Wide Angle Fisheye Lens
- Lens Not Attached : MANUAL LENS need you to enable "M mode " or "Release without lens" in the setting of camera
- Compatible with Panasonic G1 G2 G3 G5 G6 G7 GF1 GF2 GF3 GF5 GF6 GM1 GM5 GM10 GX1 GX7 GX8 GH1 GH2 GH3 GH4, Olympus epm1 epm2 E-PL1 E-PL2 E-PL3 E-PL5 E-PL6 E-PL7 E-M1 E-M5 E-M10.
- With a wide aperture fo f/1.7, the lens can be usable indoors, at nighttime or dark environment
- Nano technology multi-layer coating, which can effectively reduce flaring, vignetting and ghosting
- Aperture range: f/1.7-f/22, mininum focus distance: 0.3m
- Durable, Compact & Portable👉 TTArtisan 50mm F1.2 Lens is All-metal boby with 7 elements in 5 groups and 10 diaphragm blades, multi-layer coating, weighing only 336g,which is durable, portable. You can take it to everywhere~
- 50mm Focal Length👉 50mm is called "Master Focal Length",which it close to human-eye perspective. With it, it's easier to create your photos(especially for newly user) and you can get classic images easily.
- F1.2 Large Aperture👉It will provide you high quality image with excellent blurring effect. And has a strong ability in shooting at compilcated, low-light environment.
- "Walk Around" Lens👉 According to the features of this lens,it is suitable for portrait, landscapes, cityscapes, tourist, food,etc. Just take the lightly one with you and achieve your various photography goals.
- Compatible👉Olympus Micro 4/3 Mount Cameras Like EPM1 EPM2 EPL1 EPL2 EPL3 EPL5 EPL6 EPL7 EPL8 EPL9 E-P1 E-P2 E-P3 E-P5 E-P6 E-M1 E-M5 E-M10 Pen-F. If you have any other question about this product or your camera, just ask for customer service!
- Works with Olympus mirrorless camera E-P1 E-PL1 E-P2 E-PL2 E-P3 E-PL3 E-PL5 E-PM1 E-PM2 OM-D E-M5 E-P5 OM-D E-M1 OMD-EM10 and other Olympus Micro 4/3 cameras Panasonic Lumix G9 G1 G2 G3 G5 GF1 GF2 GF3 GF5 GF6 GF7 GH1 GH2 GH3 GH5 G6 GX1 GX7 GX8 GH4 GM1 GM5 -D E-M5 E-P5 OM-D E-M1 OMD-EM10 and other Panasonic Lumix Micro M4/3 MFT cameras
- Lens Structure:5 Groups 8 Elements
- Fixed focal length 35mm,Wide angle lens. Maximum aperture of 1.4-16 delivers smooth bokeh,fit Close-up/portrait photo photography
- Lens Not Attached : MANUAL LENS need you to enable "M mode " or "Release without lens" in the setting of camera
- It is a Wide Angle Lens, suitables for Landscape ,Product and Portrait Photography
- Lens Not Attached : MANUAL LENS need you to enable "M mode " or "Release without lens" in the setting of camera
- Fixed focal length 25mm,Wide angle lens. Maximum aperture of 1.8-16 delivers smooth bokeh,fit Close-up/portrait photo photography
- Lens construction is 7 elements in 5 groups, multi-layer coatings
- Minimum focusing distance of 0.25m,Full-frame Visual angle:diagonal 61° horizontal 50° vertical 35°
- For Micro 4/3 system cameras.Metal body, lightweight and portable
- With a wide aperture of T2.2, the lens allows you to create shallow depth of view videos
- The 50mm cine lens has a wide view angle of 24.8 degrees, great for portrait or landscape
- The Meike Mini Prime 50mm T2.2 is small and compact build, offers a focal length equivalent to 100mm with focal lengths that are ideal for video use
- The lens structure is 7 groups 9 elements, makes the lens capable of producing sharp image and videos with low distortion
- This cine lenses have very little focus breathing，sharpness is perform very well both in the center and in the corners， it haven’t any significant chromatic aberration
- Compatible with Micro 4/3, Micro4/3, MFT, M43 cameras and BMPCC
- Lens Type: 25mm fixed focal length, Manual Focus
- Lens construction: 8 groups 10 element
- 4/3 "frame view: level: 40.6 °/ vertical: 31 °/ diagonal: 49.7 °
- Constructed of the aircraft grade aluminum and optical glass elements with multi-coating for color consistency
- The 12 mm cine lens has a wide view angle of 92 degrees, great for landscape videography
- With a wide aperture of T2.2, the lens allows you to create shallow depth of view videos
- The lens structure is 10 groups 14 elements, makes the lens capable of producing sharp image and videos with low distortion
- The lens is all metallic structure, makes the lens solid and durable
- Olympus E-PL5 OMD-EM10, Panasonic Lumix GH5 GM5 and BMPCC 4K Zcam E2
- Panasonic Lumix G 25mm f/1.7 Aspherical Lens - Front & Rear Lens Caps - Lens Hood - Panasonic 1 Year Limited Warranty - Bundle Includes: - Bower 46mm Filter Kit (UV/CPL/ND) - Lens Wrap - Cleaning Kit - Lens Cap Tether - Photo Video Art Suite Software Kit
- A versatile 25mm lens with a natural viewing angle suitable for a wide varietyof occasions (35mm camera equivalent: 50 mm).
- Beautiful background bokeh effect from its large diameter F1.7 aperture.
- Super lightweight and compact at only 125g / 2.05in length.
- Hybrid photography enabled for both photo and HD video recording with quiet and smooth fast action stepping motor focusing.
- 90mm-350mm in 35mm equivalent zoom
- Nano Surface Coating technology minimizes reflections at entire visual light range
- POWER O.I.S. (Optical Image Stabilizer) integrated into the lens makes it easy to shoot sharp images even in low-lit situations
- Power zoom; Minimum Aperture: F22
How We Test Best Micro 4/3 Lenses For Video?
We test best micro 4/3 lenses for video by using it for a scene. Then we review the footage to see how it looks and feels. We also consider how easy or difficult it is to use best micro 4/3 lenses for video. We want to make sure that the gear we recommend is high quality and will help you make great films. So far, we’ve tested cameras, lenses, tripods, stabilizers, gimbals, audio equipment, etc. We’re always testing new gear and updating our reviews to help you find the best best micro 4/3 lenses for video for your needs.
The Role Of Technology Gear In Filmmaking
There is no definitive answer to this question. Technology has both advantages and disadvantages when it comes to filmmaking. On the one hand, technological advances have made it possible to create increasingly complex and stunning visual effects. On the other hand, technology can also be a hindrance to filmmakers, as it can be difficult to control and often expensive. Ultimately, it is up to the individual filmmaker to decide how to use technology in their work. Some directors embrace new technologies wholeheartedly, while others prefer to keep things more old-fashioned. There is no right or wrong answer – it all comes down to personal preference.
Some of the advantages of using technology in filmmaking include:
- Increased control over the final product: Technology allows filmmakers more control over their work, as they can now create exactly the effect they are looking for.
- Greater flexibility: Technology also gives filmmakers greater flexibility in shooting and editing their films. They can now experiment with different techniques and methods without worrying about the cost or the time involved.
- Improved quality: Technology has also led to an improvement in the overall quality of films. With more sophisticated equipment and software, filmmakers can now create better-looking and sounding films.
- Increased audience engagement: Technology can also help to engage audiences more with films. For example, interactive features such as virtual reality can immerse viewers in the film world and make them feel more connected to the characters and story.
Some of the disadvantages of using technology in filmmaking include:
- Cost: One of the biggest disadvantages of using technology in filmmaking is the cost. New equipment and software can be very expensive and often need to be updated regularly.
- Time-consuming: Technology can also be time-consuming, as filmmakers often need to spend hours learning how to use new software or equipment.
- Difficult to control: Another downside of technology is that it can be difficult to control. This is especially true of complex visual effects, which can often go wrong if they are not managed correctly.
- Can be disruptive: Technology can also be disruptive on set, as it can sometimes be difficult to keep track of all the elements that need to be managed.
There are a number of benefits to using best micro 4/3 lenses for video, whether it is for amateur or professional use. best micro 4/3 lenses for video will bring you some of the top benefits. Of course, it is important to remember that you don’t need the most expensive gear to produce good results – it is more important to know how to use what you have to its fullest potential. Nevertheless, if you can afford it, investing in some quality gear will definitely pay off in the long run.
About Lenses- Things Should You Know Before Purchase Best Micro 4/3 Lenses For Video
A camera’s lens can be classified into prime and zoom. A prime lens has a fixed focal length, while a zoom lens has a variable focal length. Prime lenses are often sharper and have less distortion than zoom lenses, but they can be more limiting because you can’t change the magnification. Zoom lenses are more versatile but can be less sharp and have more distortion. There are also special-purpose lenses, such as fisheye lenses, which have very wide angles of view.
When choosing a lens for your camera, you’ll need to consider the following factors:
- Focal length: This is the distance from the lens to the sensor, which determines the image’s magnification. A shorter focal length will result in a wider field of view, while a longer focal length will result in a narrower field of view.
- Aperture: This is the size of the opening in the lens through which light can pass. A larger aperture results in more light being let in, which is helpful in low-light situations. A smaller aperture results in less light being let in, which can be helpful for avoiding blur in images.
- Image stabilization: This is a feature that is designed to reduce blur in images, and it is available on some lenses.
- Lens mount: This is the type of mount that is compatible with your camera. You’ll need to make sure that the lens you choose has the correct amount for your camera.
Focal length and aperture are the two main factors to consider when choosing a lens for your camera. If you’re not sure which focal length or aperture to choose, you can ask a salesperson for help. You should also be aware that some lenses are not compatible with all camera types. For example, a lens designed for a DSLR camera may not be compatible with a mirrorless camera. When in doubt, it’s always best to check with the manufacturer to make sure that the lens you’re considering is compatible with your camera.
What Are The Criteria For The Selection Of A Best Micro 4/3 Lenses For Video?
There are a number of factors that we consider when selecting a best micro 4/3 lenses for video. One of the most important criteria is how well the product performs in tests, while others are selected based on how they perform in real-world scenarios. We also look at the price of the product, as well as its availability. Another important factor is whether the best micro 4/3 lenses for video is environmentally friendly. We select products that meet our high standards for quality and performance.
Testing is important to ensure that products work as intended. In order to test these products, we use a variety of methods. One method is to test the product in a simulated environment. For example, we might test a product’s ability to withstand high temperatures by using it in a sauna. We might also test its ability to resist water damage by taking it out in the rain, etc.
How To Choose The Best Best Micro 4/3 Lenses For Video?
When choosing the best best micro 4/3 lenses for video, it is important to look at a variety of factors. The most important criteria are how well the product performs in tests and how environmentally friendly it is. Other important factors include the price and availability of the product. Other important factors include the price and availability of the product. You should also consider whether the product is durable and easy to use. When looking at all of these factors, you can make the best decision for your needs.
- Consider feature and performance of best micro 4/3 lenses for video
- Consider about price, especially if it’s a luxury item
- Consider whether it’s readily available or needs to be special ordered
- Check out the best micro 4/3 lenses for video reviews
- Is a best micro 4/3 lenses for video necessary?
- What can you use instead of a best micro 4/3 lenses for video?
- Is the best micro 4/3 lenses for video environmentally friendly?
- Brand Repute
- Personal Preferences
- Resale
The best best micro 4/3 lenses for video for you is the one that meets your needs and fits your budget. Consider all the factors before making a decision to ensure you are getting the best product for your needs.
It’s a great idea to consider other people when buying something because it can save you money and help you avoid wasting your hard-earned cash on an item that doesn’t work. Before making any purchases, always ask yourself these questions: “What will this decision cost me?” or “How much time does this purchase need from my life”? You should also consult those close by – friends who have similar tastes as yours may provide insight into whether they would want something too.
Should You Buy Best Micro 4/3 Lenses For Video Online Or in A Physical Store?
There are a number of reasons you should buy best micro 4/3 lenses for video on the e-commerce market. Some of the benefits include:
-A wide selection of best micro 4/3 lenses for video to choose from
-Easy returns and refunds
-Fast, free shipping on many items
-Access to Prime memberships
-Save your time
It offers a wide selection of best micro 4/3 lenses for video, which means you can find what you’re looking for. The return process is easy, and you can get a refund if you’re unsatisfied with a product. Shipping is fast and free on many items, and you can also access Prime memberships. All of these factors make the e-commerce market a great place to shop.
When buying a product at a physical store, you can often get help from a salesperson if you have questions or need assistance. You can also see the product in person before making a purchase.
7 Tips For Buying Best Micro 4/3 Lenses For Video Online Safely
The holidays are just around the corner, and with them come traditional headaches on how to buy the best best micro 4/3 lenses for video. Shops filled with endless queues or a lack of time can make it difficult to find affordable ones that will be useful enough! Luckily there’s an easier way – shopping online, where you get access 24/7 without having to go out.
Do Your Research
Before you make a purchase online, be sure to do your research and read reviews to learn about the product and the seller. Only buy from reputable websites that you trust.
Use a Credit Card
When making a purchase online, use a credit card instead of a debit card. This way, you can dispute any unauthorized charges made to your card.
Beware of Fake Websites
When you are on a website you are about to purchase from, be sure to look at the URL. If it starts with https://, this means the site is secure, and your information will be encrypted.
Check the Seller’s Rating and Reviews
Before buying best micro 4/3 lenses for video, be sure to check the seller’s rating and read reviews to learn about their products and service. Only buy from sellers with high ratings and positive reviews.
Make Sure the Site Uses Encryption Technology
When purchasing online, only buy from websites that use encryption technology. This will ensure that your information is safe and secure.
Read the Terms and Conditions Before You Buy
Before making a purchase, be sure to read the terms and conditions of the website. This will help you understand the seller’s return policy and any other policies that may apply to your purchase.
Keep your Computer Protected with Anti-virus Software
Make sure to keep your computer protected with anti-virus software to help prevent any malware or viruses from infecting your system.
The convenience here is amazing because now anyone who needs something quick anytime, anywhere has easy accessibility while still being able to compare prices from different websites. You can get the best best micro 4/3 lenses for video much simpler than ever before!
Bottom Line about Best Micro 4/3 Lenses For Video
When you purchase best micro 4/3 lenses for video, it’s important to consider whether or not the item will actually serve its purpose. Sometimes we may think that an acquisition is necessary when really there are other options available at a lower cost, which would suffice just as well with no loss in value–reviewing these alternatives beforehand can help avoid wasting money on unnecessary purchases later down the line.
You won’t want to miss out on this! Visit us now and find the perfect product for your needs.