What are you looking for? Let’s review and compare the top best sony 16 50 mm f 2.8 2024 to find what will work well with your needs.
We all want the best for our money, but how do you know what a good fit is without research? When looking into buying something that will likely be an investment and part of your everyday life – like sony 16 50 mm f 2.8, it makes sense to spend some time getting educated on where exactly this product falls within its market space.
We have compiled 68237 reviews from top experts that led us to these 20 devices on the list.
The Best Sony 16 50 Mm F 2.8 Deals This Week
- DT Lens Design for optimum performance with APS-C DSLRs
- Superb wide-angle to mid-range telephoto shots
- Wide f/2.8 aperture for fast response and strong depth-of-field
- Super Sonic wave Motor for fast, quiet autofocus
- High resolution throughout the zoom range, even at F2.8
- Compact, lightweight, and bright
- Professional control and reliability, Crisp contrast
- lens type: Wide Angle Sony E-Mount
- Xd linear motor for fast, precise AF and tracking
- Standard zooms with outstanding corner-to-corner G lens resolution
- Constant F2.8 Max aperture maintains exposure and depth of field
- Two advanced aspherical plus two aspherical elements suppress aberration
- Xd linear motor for fast, precise, quiet AF and tracking
- 9-Blade circular aperture contributes to gorgeous book
- POWER ZOOM for smooth zooming with superb operability and quietness
- ED glass and Aspherical lens elements for excellent performance with reduced aberrations
- Built-in image stabilization
- This lens is designed for Sony α camera system E-mount cameras. You cannot use it on A-mount cameras
- Minimum focus distance - 0.25–0.3 m (0.82-1 ft)
- Lens not Zoomable. Footnotes:"35 mm equivalent focal length (APS-C)" and "Angle of View (APS-C)" are with interchangeable lens digital camera incorporating APS-C type image sensors.
- Minimum Focus Distance : 0.8 ft (0.24 m)
- Maximum Magnification ratio : 0.078x
- Focal Length : 16 mm. Angle of View (APS-C)- 83°. 35 mm equivalent focal length (APS-C)- 24 mm
- Compatible with optional VCL-ECU1 ultra-wide converter and VCL-ECF1 fisheye converter
- INCLUDES: Sigma 16-28mm f/2.8 DG DN Contemporary Lens for Sony E + AirBag Packable Bag and Camera Insert + SanDisk 64GB C10 Ultra UHS-I SDXC Memory Card + Altura Photo Mini Tripod with Pistol Grip + Altura Photo Rapid Fire Wrist Strap + Altura Photo Hard-Shell Case + Altura Photo Cleaning Kit + 3 Sizes MagicFiber Microfiber Lens Pouch
- THE SIGMA 16-28mm f/2.8 DG DN Contemporary Lens for Sony E is a compact, high-performance ultrawide zoom meant to compliment a photographer's arsenal by providing a versatile range of focal lengths in a small and lightweight package, without compromising on optical quality.
- COMPATIBLE with APS-C Sony Mirrorless Cameras (E mount), including a3000, a3500, a5000, a5100, a6000, a6100, a6300, a6400, a6500, a6600.
- SIGMA accessories included: Sigma Lens Cap + Rear Cap + Lens Hood
- This Certified Refurbished product is manufacturer refurbished, shows limited or no wear, and includes all original accessories plus a 90-day limited hardware warranty.
- 3x zoom lets you capture up-close detail from far away.
- POWER ZOOM mechanism extends the lens when the camera is powered on, making it instantly ready for shooting. Dual-function control ring adjusts both zooming and manual focus.
- Built-in Optical SteadyShot image stabilization provides a 4-stop shutter speed advantage to produce crisp, blur-free images and video.
- Compatible with most Sony NEX E-mount cameras. Not recommended for use with NEX-3, NEX-5 and NEX-C3 models.
- Lens not Zoomable. Change from autofocus to manual focus at the flick of a switch
- DT 35mm f/1.8 Prime Lens (non-zoom)
- ALC-SH111 Solid-circular lens hood
- Front and rear lens cap
- 35 mm equivalent focal length when used with APS-C sensor camera - 52.5
- A compact F2.8 zoom that is ready to go anywhere
- Outstanding G LensTM image quality with high resolution at all focal lengths
- Peak performance AF with two Linear Motors for precise, fast, quiet focus drive
- Excellent close-up performance of 18cm (7.09”) at 24mm manual focus
- Compact, lightweight design for superb image quality and versatility in any situation
![40.5mm Snap-On Lens Cap for Sony 16-50mm f/3.5-5.6 lens for Sony Alpha a6600 a6500 a6400 a5000[2 Packs], Fire-Rock Lens Cap for Nikkor 10mm f/2.8 Lens](https://m.media-amazon.com/images/I/41tNrzvt7aL._SL160_.jpg "Top 20 Best Sony 16 50 Mm F 2.8 Reviews & Comparison [Updated] 19")
- 【For Sony and for Samsung Lens】For Sony A6500 a6500 with E PZ 16-50mm f/3.5-5.6 OSS(SELP1650) lens. For Samsung NX1100，NX300, NX3000 with i-Fn 20-50mm f/3.5-5.6 II ED, i-Fn 20-50mm f/3.5-5.6 ED lens.
- 【For Nikon Lens】For Nikkor 10mm f/2.8, VR 30-110mm f/3.8-5.6, AW 10mm f/2.8, AW 11-27.5mm f/3.5-5.6, VR 10-30mm f/3.5-5.6, 18.5mm f/1.8, 11-27.5mm f/3.5-5.6 Lens.
- 【Wide Compatibility】Perfect for all 40.5mm digital camera lens，please confirm the lens thread size before ordering. Don't get confused with focal distance.
- 【Material and Special Design】Made of high-quality plastic material, protects your lens from dust particles, water splashes, sun rays or scratches during storage and walking. The snap-on center pinch design makes it easy to install and remove, even with a lens hood.
- 【After Sale】We offer 120 days no reason refund. Any question, contact us first, we will solve it to your satisfaction.
- Made of fine finished metal material，provide extra protection from accidental impact
- It fits Sony E PZ 16-50mm f/3.5-5.6 OSS & OSS II SELP1650 Lens，Nikon 1 NIKKOR 10mm f/2.8 Lens and SAMSUNG 20-50mm f/3.5-5.6 ED II Lens.
- This lens hood adopts a vented design, allowing more light into the image and cause no vignetting
- Protects your lens from accidental impact and the elements
- This lens hood allows the use of original 40.5mm lens caps.
- This F1.8 large-aperture 16mm ultra-wide-angle prime lens is incredibly compact. Advanced technology achieves breathtaking resolution plus exquisite bokeh even at maximum F1.8 aperture.
- 3 aspherical elements achieve outstanding corner-to-corner resolution all the way up to the lens's maximum F1.8 aperture. 4 ED glass elements thoroughly suppress color bleeding for outstanding image-wide
- Weighs just 19.5 ounces. This is one ultra-wide large-aperture lens you carry around anywhere, reshaping the world with creative new perspectives.
- With nine-blade circular aperture mechanism, and optimally managed aberration, this unique ultra-wide lens is capable of creating exquisite background bokeh without unwanted onion-ring artifacts.
- Minimum focus distance is just 0.88 ft, so you can move right in to combine dynamic close-ups with beautiful bokeh in expansive backgrounds.
- Compact F1.2 prime lens w/ awe-inspiring G Master resolution and bokeh.Maximum Magnification ratio (x) : 0.17, Angle of View (APS-C) : 32 °.
- F1.2 max aperture for extraordinary shallow depth of field
- Three (XA) Extreme Aspheric elements for stunning resolution
- 11-blade circular aperture contributes to gorgeous bokeh
- Compact, lightweight design: Ideal for both full-frame and APS-C2
- Breathtaking G MasterTM image quality right out to the edges of the frame
- Innovative optics and a large F1.4 aperture deliver magnificent bokeh
- Highly mobile, lightweight and compact lens with incredible performance
- Fast, precise, quiet autofocus and tracking for stills and movies
- Circular aperture with 11-blade iris for naturally rendered bokeh
- This lens collar is tailor-made for Sony FE 24-240mm f/3.5-6.3 OSS and other lens (see the below description); the tripod mount ring is referencing to the lenses, quick release plate feature is added to the bottom, more practical than similar lens collar;
- The lens support adopts lightweight design of hollow, with stainless steel screw, net weight is about 155g; positioning by the switch and bayonet. Cannot be rotated. All corners are grinding rounded, the inner diameter of the tripod ring is about 61.5mm, the width is about 18mm, with 3M film inside for protecting the lens from scratches;
- The bottom of the lens bracket is 55mm detachable lengthening quick release plate, with 1/4? and 3/8? screw holes and stainless-steel anti-slip screws at the bottom;
- The tripod collar mount ring is made of high quality Aviation Aluminum, lightweight and solid; precisely machined by world-class high-end CNC turning center, surface anodic oxidation; appearance and exquisite workmanship is much better than similar products made by mold;
- This lens holder bottom Quick Release Plate is 39mm Arca-Swiss fit, compatible with RRS / ARCA-SWISS / PMG / WIMBERLEY / MARKINS / PHOTOCLAM / SUNWAYFOTO / BENRO / SIRUI / MARSACE / ISHOOT ball head of Arca 39mm fit, suitable for iShoot IS-JZ30 / IS-JZ50 / IS-JZ64 / IS-QJ58 / IS-QJ64-FD / IS-JZ60BK / IS-JZ70MFT / IS-JZ80BK.
- Ultralight, versatile wide-angle power zoom. Sony’s vast expertise brings you the world’s lightest1 full frame F4 wide-angle power-zoom lens, giving today’s content creators refined imagery, expression and control. A new power zoom system in a compact lens is suitable for small crews or solo shooting. It is ideal for stills too, with beautiful G lens rendering and astonishing AF (autofocus) performance.
- Smooth power zoom with rapid response. A new power zoom system driven by four XD (Extreme Dynamic) Linear Motors for the first time in an Alpha lens provides smooth control with the immediacy of manual zoom. Even subtle zoom ring rotation is precisely detected and instantaneously converted to zoom operation. A continuously variable zoom lever makes it easy to execute super-slow constant-speed zooms, and zoom can be remotely controlled while the camera is mounted on a gimbal.
- Designed for refined movie imagery. In addition to smooth, versatile power zoom, this remarkably compact lens minimizes angle of view shifts that can occur when focusing or zooming so that stable, high quality movie footage can be easily captured. Focus, zoom and aperture operation are also extremely quiet, greatly reducing noise and vibration that can interfere with movie recording.
- Three-ring control: zoom, focus and aperture. Independent zoom, focus, and aperture rings on this compact lens offer flexible, intuitive creative control. Responsive zoom control is indispensable for movies, and Linear Response MF ensure that the focus ring responds directly and repeatably to subtle control when focusing manually. The aperture ring has an aperture click switch that allows the click stops to be turned off when smooth, seamless aperture adjustment is required as well as a lock switch to avoid inadvertently shifting from auto control.
- Constant or variable zoom speed controllable from lens or compatible cameras/remotes. Power zoom can be controlled with the response and immediacy of a manual zoom with the lens ring. Slow and fast zoom rate is accessible from the lens zoom lever. Up to 8 speeds can be set from the zoom lever or custom keys on compatible cameras. Zoom functions of compatible cameras can be operated without touching the camera by Bluetooth connection from compatible remote controls or Smart devices with Imaging Edge Mobile.
- Large F1. 8 maximum aperture enables beautiful defocusing effects
- 7-blade circular aperture creates beautiful defocused bokeh
- Compact, lightweight design Ideal for full-frame e-mount cameras
- Aspherical element controls spherical aberration and coma
- Double-gauss configuration suppresses field curvature & distortion
- Dimension: Stores a lens or accessory up to 2.4x 1.6" (62 x 40mm), it is compatible with Canon EF-M 22mm f/2, Sony E PZ 16-50mm f/3.5-5.6 or Fujifilm XF27 f/2.8 Lens and more.
- Protection: The lens pouch features anti-abrasive, water-resistant neoprene, 0.2” (5mm) thickness which protects the lens from scratch, light impact & moisture.
- Fold-over Closure: A fold-over closure makes the lens pouch easy to open and close while preventing dirt and dust from reaching your lens. It’s held together with a touch fastener for keeping your lens securely in the case.
- Carrying Option: Attach the lens pouch to your bag or belt by way of the included carabiner. A good partner for outdoor shooting.
- Note* Please check carefully your lens dimension before purchasing. The lens hood is not recommended to store together with the lens in the bag.
How We Test Sony 16 50 Mm F 2.8?
We test sony 16 50 mm f 2.8 by using it for a scene. Then we review the footage to see how it looks and feels. We also consider how easy or difficult it is to use sony 16 50 mm f 2.8. We want to make sure that the gear we recommend is high quality and will help you make great films. We’re always testing new gear and updating our reviews to help you find the best sony 16 50 mm f 2.8 for your needs.
The Role Of Technology Gear In Filmmaking
There is no definitive answer to this question. Technology has both advantages and disadvantages when it comes to filmmaking. On the one hand, technological advances have made it possible to create increasingly complex and stunning visual effects. On the other hand, technology can also be a hindrance to filmmakers, as it can be difficult to control and often expensive. Ultimately, it is up to the individual filmmaker to decide how to use technology in their work. Some directors embrace new technologies wholeheartedly, while others prefer to keep things more old-fashioned. There is no right or wrong answer – it all comes down to personal preference.
Some of the advantages of using technology in filmmaking include:
- Increased control over the final product: Technology allows filmmakers more control over their work, as they can now create exactly the effect they are looking for.
- Greater flexibility: Technology also gives filmmakers greater flexibility in shooting and editing their films. They can now experiment with different techniques and methods without worrying about the cost or the time involved.
- Improved quality: Technology has also led to an improvement in the overall quality of films. With more sophisticated equipment and software, filmmakers can now create better-looking and sounding films.
- Increased audience engagement: Technology can also help to engage audiences more with films. For example, interactive features such as virtual reality can immerse viewers in the film world and make them feel more connected to the characters and story.
Some of the disadvantages of using technology in filmmaking include:
- Cost: One of the biggest disadvantages of using technology in filmmaking is the cost. New equipment and software can be very expensive and often need to be updated regularly.
- Time-consuming: Technology can also be time-consuming, as filmmakers often need to spend hours learning how to use new software or equipment.
- Difficult to control: Another downside of technology is that it can be difficult to control. This is especially true of complex visual effects, which can often go wrong if they are not managed correctly.
- Can be disruptive: Technology can also be disruptive on set, as it can sometimes be difficult to keep track of all the elements that need to be managed.
There are a number of benefits to using sony 16 50 mm f 2.8, whether it is for amateur or professional use. sony 16 50 mm f 2.8 will bring you some of the top benefits. Of course, it is important to remember that you don’t need the most expensive gear to produce good results – it is more important to know how to use what you have to its fullest potential. Nevertheless, if you can afford it, investing in some quality gear will definitely pay off in the long run.
About Cameras- Thing Should You Know Before Purchase Sony 16 50 Mm F 2.8
Cameras are an important part of filmmaking. DSLRs are popular for filmmakers because they offer great image quality and manual controls. However, there are other types of cameras that can be used for filmmaking, such as cinema and action cameras.
Cinema cameras are designed for professional filmmakers and offer the best image quality. They are usually more expensive than DSLRs, but they offer filmmakers’ features, such as 4K video, higher frame rates, and better low-light performance.
Action cameras are designed for capturing action and adventure sports. They are small and lightweight, making them easy to carry when you’re on the go. Action cameras also typically have features that make them easy to use, such as built-in stabilisation and wide-angle lenses.
When choosing a camera for filmmaking, it’s important to consider your needs and budget. DSLRs are a great option for many filmmakers, but if you need the best image quality or want to shoot in 4K, then you’ll need a cinema camera. Action cameras are also a good option if you’re looking for something small and lightweight that you can take with you on your adventures.
A film camera is a camera that uses light-sensitive film to capture images. The images are then developed using photographic chemicals, resulting in a negative or positive image. Film cameras have been used for over a century and are still popular among photography enthusiasts.
What Are The Criteria For The Selection Of A Sony 16 50 Mm F 2.8?
There are a number of factors that we consider when selecting a sony 16 50 mm f 2.8. One of the most important criteria is how well the product performs in tests, while others are selected based on how they perform in real-world scenarios. We also look at the price of the product, as well as its availability. Another important factor is whether the sony 16 50 mm f 2.8 is environmentally friendly. We select products that meet our high standards for quality and performance.
Testing is important to ensure that products work as intended. In order to test these products, we use a variety of methods. One method is to test the product in a simulated environment. For example, we might test a product’s ability to withstand high temperatures by using it in a sauna. We might also test its ability to resist water damage by taking it out in the rain, etc.
How To Choose The Best Sony 16 50 Mm F 2.8?
When choosing the best sony 16 50 mm f 2.8, it is important to look at a variety of factors. The most important criteria are how well the product performs in tests and how environmentally friendly it is. Other important factors include the price and availability of the product. Other important factors include the price and availability of the product. You should also consider whether the product is durable and easy to use. When looking at all of these factors, you can make the best decision for your needs.
- Consider feature and performance of sony 16 50 mm f 2.8
- Consider about price, especially if it’s a luxury item
- Consider whether it’s readily available or needs to be special ordered
- Check out the sony 16 50 mm f 2.8 reviews
- Is a sony 16 50 mm f 2.8 necessary?
- What can you use instead of a sony 16 50 mm f 2.8?
- Is the sony 16 50 mm f 2.8 environmentally friendly?
- Brand Repute
- Personal Preferences
- Resale
The best sony 16 50 mm f 2.8 for you is the one that meets your needs and fits your budget. Consider all the factors before making a decision to ensure you are getting the best product for your needs.
It’s a great idea to consider other people when buying something because it can save you money and help you avoid wasting your hard-earned cash on an item that doesn’t work. Before making any purchases, always ask yourself these questions: “What will this decision cost me?” or “How much time does this purchase need from my life”? You should also consult those close by – friends who have similar tastes as yours may provide insight into whether they would want something too.
Should You Buy Sony 16 50 Mm F 2.8 Online Or in A Physical Store?
There are a number of reasons you should buy sony 16 50 mm f 2.8 on the e-commerce market. Some of the benefits include:
-A wide selection of sony 16 50 mm f 2.8 to choose from
-Easy returns and refunds
-Fast, free shipping on many items
-Access to Prime memberships
-Save your time
It offers a wide selection of sony 16 50 mm f 2.8, which means you can find what you’re looking for. The return process is easy, and you can get a refund if you’re unsatisfied with a product. Shipping is fast and free on many items, and you can also access Prime memberships. All of these factors make the e-commerce market a great place to shop.
When buying a product at a physical store, you can often get help from a salesperson if you have questions or need assistance. You can also see the product in person before making a purchase.
7 Tips For Buying Sony 16 50 Mm F 2.8 Online Safely
The holidays are just around the corner, and with them come traditional headaches on how to buy the best sony 16 50 mm f 2.8. Shops filled with endless queues or a lack of time can make it difficult to find affordable ones that will be useful enough! Luckily there’s an easier way – shopping online, where you get access 24/7 without having to go out.
Do Your Research
Before you make a purchase online, be sure to do your research and read reviews to learn about the product and the seller. Only buy from reputable websites that you trust.
Use a Credit Card
When making a purchase online, use a credit card instead of a debit card. This way, you can dispute any unauthorized charges made to your card.
Beware of Fake Websites
When you are on a website you are about to purchase from, be sure to look at the URL. If it starts with https://, this means the site is secure, and your information will be encrypted.
Check the Seller’s Rating and Reviews
Before buying sony 16 50 mm f 2.8, be sure to check the seller’s rating and read reviews to learn about their products and service. Only buy from sellers with high ratings and positive reviews.
Make Sure the Site Uses Encryption Technology
When purchasing online, only buy from websites that use encryption technology. This will ensure that your information is safe and secure.
Read the Terms and Conditions Before You Buy
Before making a purchase, be sure to read the terms and conditions of the website. This will help you understand the seller’s return policy and any other policies that may apply to your purchase.
Keep your Computer Protected with Anti-virus Software
Make sure to keep your computer protected with anti-virus software to help prevent any malware or viruses from infecting your system.
The convenience here is amazing because now anyone who needs something quick anytime, anywhere has easy accessibility while still being able to compare prices from different websites. You can get the best sony 16 50 mm f 2.8 much simpler than ever before!
Bottom Line about Sony 16 50 Mm F 2.8
When you purchase sony 16 50 mm f 2.8, it’s important to consider whether or not the item will actually serve its purpose. Sometimes we may think that an acquisition is necessary when really there are other options available at a lower cost, which would suffice just as well with no loss in value–reviewing these alternatives beforehand can help avoid wasting money on unnecessary purchases later down the line.
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