On The Lot: Episode 12 (Fox Television)
In the final hours of On The Lot, it’s fair to assume we’ll see a change. With eight contestants left, and after tonight, 6, it will soon become the most serious it’s ever been. One of the reasons is that On The Lot is clearly not American Idol, and for the filmmakers, it’s either first place or nothing. That’s not it either. First place ensures nothing. If Project Greenlight has taught us anything, it’s that the development deal is only the beginning. Pete Jones, winner of Project Greenlight’s first season made Stolen Summer, a charming, audience winner, but it has not got him far. So whether Lipovsky, Bigham, or dare say it, Jason Epperson win the final prize, it’s just another opportunity, not the end.
Only one thing is certain at this point, that On The Lot will not be back next season. The sad part is, that it’s hard to find someone to blame. Many claim that the biggest problem is that it’s not what they envisioned. When struggling filmmakers first laid their eyes on the website, and saw Spielberg enthusiastically talking about the show, and the possibilities, excitement was in the air. While the show certainly doesn’t seem to be all that exciting, I can say without hesitation, that it’s everything it promised. So that’s clearly not the problem. The contestants, as lackluster as some of them seem, are not the problem either. They surely show talent, and once in a while, prove some entertainment. Other complaints are that Adrianna doesn’t work as a host, and that the judges aren’t up to par. Well, this may be true in some cases, but I doubt it would make the difference in being a success, and a disaster. It’s really a problem we’ll never know. Why would people rather watch reality shows about singing, dancing, and ice skating? Anyways, enough complaining, because the show must go on.
This week, we’ve got a fresh serving of romantic comedies from the six remaining contestants. One thing’s clear, we can expect Garry’s mouth to stay open more than usual. The guest judge this week is Brad Silberling, who is not exactly an exciting pick, but at least he’s mildly related to the genre this week. Now, let’s cut the romance, because as you know, two contestants were eliminated. As I predicted, Kenny and Mateen went home. It’s not a surprise or a loss, except maybe Luby’s antics, which I’ll be saddened to no longer see. Let’s get on to the films;
Bonus Feature (Zach Lipovsky)
For about thirty seconds, Lipovsky almost had me. His characters were fairly charming, and there was some genuine humor. Sadly, Lipovsky once again abandoned all that for a two minute special effects thrill ride. Although considering the entire thing plays out like a new ride at Universal Studios, it’s not that thrilling for the viewer.
Girl Trouble (Adam Stein)
While it’s not entirely original, and at times too crude for its own good, Stein’s film works quite well as a romantic comedy. His actors are great in their roles, and the use of improv keeps everything feeling fresh. Although the films’ ending is a little too easy to spot at a certain point, it still works, mainly because of the strong acting.
Unplugged (Will Bigham)
Bigham’s film isn’t funny, but it’s sweet and charming, so I don’t mind. As with usual, his direction is superb, as he let’s his story be told visually, rather than with dialogue. While I don’t know how well Bigham could handle a longer running time, he seems to be the master of the two minute mark, at least on the show.
Keep Off Grass (Andrew Hunt)
Hunt’s film isn’t as dumb as the title would lead you to believe, but it’s not exactly a slice of brilliance either. For every good thing, there’s an equal bad thing. His use of superheroes works quite well, but his use of a yuppie lawn obsessed young man doesn’t. The end result is fairly well done technically, but nothing else.
American Hoe (Sam Friedlander)
I appreciate that Friedlander kept it simple, and went for strong writing, rather than just a strong idea. I also appreciate some of his dialogue, which is funny. But the whole thing is ruined by some rough patches, and rather bad performances by both actors.
Old Home Boys (Jason Epperson)
While this short is fairly well accomplished, and does quite a bit in a very short time, there’s a little too much stereotype for me to care. I suppose I should care that he made it personal, but I don’t. In fact, his use of ‘hip-hop’ lifestyles comes off as a rather foolish and juvenile way at creating comedy out of a tired story.
I’d never thought I’d say this, but I think Lipovsky may be in trouble. He’s up against some tough competition, and as we all know, Canadians can not vote. Luckily (for him), Friedlander will probably be going home next week.
I suppose you could say the show was at its most desperate tonight. They kept promoting the fact that Jerry O’Connell would appear in a short next week. Now, I don’t hate Jerry O’Connell, because I didn’t hate Sliders. But is this man really worth advertising? Well, I guess we’ll see, when the ratings come in.
Oh, my God, you are kidding when you say that "it's hard to find someone to blame," right? Have you thought of blaming the producers, who foisted this hypocritical piece of garbage on unsuspecting viewers, who maybe thought they were going to see filmmakers make films? Have you thought of blaming Mark Burnett, who is clearly bereft of ideas that make for good TV? Have you thought of blaming Fox TV, which tinkered and tampered with the show till it took on the sheen of week-old fish?
Jeez, guy, get a grip. There's lots of blame to go around, and "On The Lot" has ruined whatever chance any good-faith person had of ever getting a good show about the film-making process on the air--in our lifetime.